The Merchant of Venice
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|ACT II SCENE V ||The same. Before Shylock's house.|| |
|[Enter SHYLOCK and LAUNCELOT]|
|SHYLOCK||Well, thou shalt see, thy eyes shall be thy judge,|
|The difference of old Shylock and Bassanio:--|
|What, Jessica!--thou shalt not gormandise,|
|As thou hast done with me:--What, Jessica!--|
|And sleep and snore, and rend apparel out;--|
|Why, Jessica, I say!|
|SHYLOCK||Who bids thee call? I do not bid thee call.|
|LAUNCELOT||Your worship was wont to tell me that|
|I could do nothing without bidding.|
|JESSICA||Call you? what is your will?||10|
|SHYLOCK||I am bid forth to supper, Jessica:|
|There are my keys. But wherefore should I go?|
|I am not bid for love; they flatter me:|
|But yet I'll go in hate, to feed upon|
|The prodigal Christian. Jessica, my girl,|
|Look to my house. I am right loath to go:|
|There is some ill a-brewing towards my rest,|
|For I did dream of money-bags to-night.|
|LAUNCELOT||I beseech you, sir, go: my young master doth expect|
|SHYLOCK||So do I his.|
|LAUNCELOT||An they have conspired together, I will not say you|
|shall see a masque; but if you do, then it was not|
|for nothing that my nose fell a-bleeding on|
|Black-Monday last at six o'clock i' the morning,|
|falling out that year on Ash-Wednesday was four|
|year, in the afternoon.|
|SHYLOCK||What, are there masques? Hear you me, Jessica:|
|Lock up my doors; and when you hear the drum|
|And the vile squealing of the wry-neck'd fife,||30|
|Clamber not you up to the casements then,|
|Nor thrust your head into the public street|
|To gaze on Christian fools with varnish'd faces,|
|But stop my house's ears, I mean my casements:|
|Let not the sound of shallow foppery enter|
|My sober house. By Jacob's staff, I swear,|
|I have no mind of feasting forth to-night:|
|But I will go. Go you before me, sirrah;|
|Say I will come.|
|LAUNCELOT||I will go before, sir. Mistress, look out at||40|
|window, for all this, There will come a Christian|
|boy, will be worth a Jewess' eye.|
|SHYLOCK||What says that fool of Hagar's offspring, ha?|
|JESSICA||His words were 'Farewell mistress;' nothing else.|
|SHYLOCK||The patch is kind enough, but a huge feeder;|
|Snail-slow in profit, and he sleeps by day|
|More than the wild-cat: drones hive not with me;|
|Therefore I part with him, and part with him|
|To one that would have him help to waste||50|
|His borrow'd purse. Well, Jessica, go in;|
|Perhaps I will return immediately:|
|Do as I bid you; shut doors after you:|
|Fast bind, fast find;|
|A proverb never stale in thrifty mind.|
|JESSICA||Farewell; and if my fortune be not crost,|
|I have a father, you a daughter, lost.|
Next: The Merchant of Venice, Act 2, Scene 6
Explanatory Notes for Act 2, Scene 5
From The Merchant of Venice. Ed. Felix E. Schelling. New York: American Book Co.
This scene gives us briefly the relation of Shylock and Jessica; his faith in her, shown in his intrusting to her his keys; but his
mistrust of her levity in his injunction concerning the masquers, and his premonition of coming evil. The scene also completes,
by means of Launcelot's hint concerning the masque, Jessica's plan to run away with Lorenzo.
3. What, Jessica! What, like why and when, was used as an
exclamation of impatience. Compare below, v. 1. 151: "What
talk you of the posy."
3. gormandize, the thrifty Shylock and the indolent, careless
Launcelot would have very different ideas on this subject. See
above, ii. 2. 113, Launcelot's complaint that he was famished.
5. rend apparel out, tear out, burst.
11. bid forth, invited out.
14. to feed upon The prodigal Christian. This change in Shylock's earlier determination not to eat with a Christian is due to
his purpose of revenge.
18. money-bags. Dreams go by contraries.
18. to-night, here last night, although sometimes used in the
modern sense, as below, line 37 of this scene.
21. So do I his [reproach], Shylock takes Launcelot's word
reproach, intended for approach, in its actual sense.
22. An, if.
25. a-bleeding. Bleeding at the nose was formerly regarded as
an indication of coming misfortune.
25. Black-Monday. Easter Monday, so called because of a
violent winter storm, April 14, 1360, in which many of the soldiers
of King Edward III, then besieging Paris, perished of cold.
30. wry-neck'd fife, variously explained as a fife with a wry or crooked neck, or as applying to the fife player, "awry-necked
musician, for he always looks away from his instrument."
33. varnish'd faces. In allusion to the varnished and painted
masques worn by masqueraders.
36. Jacob's staff. Though popularly used of a pilgrim's staff in
general, the word here has reference to Genesis, xxxii. 10 and
Hebrews, xi. 21.
37. forth, from home.
37. no mind of feasting forth, no inclination to feast from home.
See below, iv. I. 402: "I humbly do desire your grace of pardon."
Observe the use of forth as an adverb; and compare The Merry
Wives of Windsor, ii. 2. 276: "Her husband will he forth."
44. Hagar's offspring, i.e. son of a bondswoman. Genesis, xvi.
46. patch, used as a nickname for a jester, is probably derived
from the motley or patched coat of the professional fool. Notice
the touch of kindliness in Shylock's allusion to Launcelot, and that
at the very moment when Jessica is deceiving him with a deliberate
48. the wild-cat, which prowls by night and sleeps all day.
52. Perhaps I will, in modern English shall. Shylock did not
feel perfect confidence in Jessica.
56. Note the rhyming couplet which marks the conclusion of a
scene, although here the stage setting remains the same, and the
action proceeds at once to Jessica's elopement.
How to cite the explanatory notes:
Shakespeare, William. The Merchant of Venice. Ed. Felix E. Schelling. New York: American Book Co., 1903. Shakespeare Online. 20 Feb. 2011. (date when you accessed the information) < http://www.shakespeare-online.com/plays/merchant_2_5.html >.
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