| ACT III  | PROLOGUE |   | 
|   | Enter Chorus |   | 
| Chorus  | Thus with imagined wing our swift scene flies |   | 
|   | In motion of no less celerity |   | 
|   | Than that of thought. Suppose that you have seen |   | 
|   | The well-appointed king at Hampton pier |  5 | 
|   | Embark his royalty; and his brave fleet |   | 
|   | With silken streamers the young Phoebus fanning: |   | 
|   | Play with your fancies, and in them behold |   | 
|   | Upon the hempen tackle ship-boys climbing; |   | 
|   | Hear the shrill whistle which doth order give |  10 | 
|   | To sounds confused; behold the threaden sails, |   | 
|   | Borne with the invisible and creeping wind, |   | 
|   | Draw the huge bottoms through the furrow'd sea, |   | 
|   | Breasting the lofty surge: O, do but think |   | 
|   | You stand upon the ravage and behold |  15 | 
|   | A city on the inconstant billows dancing; |   | 
|   | For so appears this fleet majestical, |   | 
|   | Holding due course to Harfleur. Follow, follow: |   | 
|   | Grapple your minds to sternage of this navy, |   | 
|   | And leave your England, as dead midnight still, |  20 | 
|   | Guarded with grandsires, babies and old women, |   | 
|   | Either past or not arrived to pith and puissance; |   | 
|   | For who is he, whose chin is but enrich'd |   | 
|   | With one appearing hair, that will not follow |   | 
|   | These cull'd and choice-drawn cavaliers to France? |  25 | 
|   | Work, work your thoughts, and therein see a siege; |   | 
|   | Behold the ordnance on their carriages, |   | 
|   | With fatal mouths gaping on girded Harfleur. |   | 
|   | Suppose the ambassador from the French comes back; |   | 
|   | Tells Harry that the king doth offer him |  30 | 
|   | Katharine his daughter, and with her, to dowry, |   | 
|   | Some petty and unprofitable dukedoms. |   | 
|   | The offer likes not: and the nimble gunner |   | 
|   | With linstock now the devilish cannon touches, |   | 
|   | Alarum, and chambers go off. |   | 
|   | And down goes all before them. Still be kind, |  35 | 
|   | And eke out our performance with your mind. |   | 
|   | Exit. |   | 
| ACT III SCENE I  | France. Before Harfleur. |   | 
|   | Alarum. Enter KING HENRY, EXETER, BEDFORD, GLOUCESTER, and Soldiers, with scaling-ladders. |   | 
| KING HENRY V  | Once more unto the breach, dear friends, once more; |   | 
|   | Or close the wall up with our English dead. |   | 
|   | In peace there's nothing so becomes a man |  40 | 
|   | As modest stillness and humility: |   | 
|   | But when the blast of war blows in our ears, |   | 
|   | Then imitate the action of the tiger; |   | 
|   | Stiffen the sinews, summon up the blood, |   | 
|   | Disguise fair nature with hard-favour'd rage; |  45 | 
|   | Then lend the eye a terrible aspect; |   | 
|   | Let pry through the portage of the head |   | 
|   | Like the brass cannon; let the brow o'erwhelm it |   | 
|   | As fearfully as doth a galled rock |   | 
|   | O'erhang and jutty his confounded base, |  50 | 
|   | Swill'd with the wild and wasteful ocean. |   | 
|   | Now set the teeth and stretch the nostril wide, |   | 
|   | Hold hard the breath and bend up every spirit |   | 
|   | To his full height. On, on, you noblest English. |   | 
|   | Whose blood is fet from fathers of war-proof! |  55 | 
|   | Fathers that, like so many Alexanders, |   | 
|   | Have in these parts from morn till even fought |   | 
|   | And sheathed their swords for lack of argument: |   | 
|   | Dishonour not your mothers; now attest |   | 
|   | That those whom you call'd fathers did beget you. |  60 | 
|   | Be copy now to men of grosser blood, |   | 
|   | And teach them how to war. And you, good yeoman, |   | 
|   | Whose limbs were made in England, show us here |   | 
|   | The mettle of your pasture; let us swear |   | 
|   | That you are worth your breeding; which I doubt not; |  65 | 
|   | For there is none of you so mean and base, |   | 
|   | That hath not noble lustre in your eyes. |   | 
|   | I see you stand like greyhounds in the slips, |   | 
|   | Straining upon the start. The game's afoot: |   | 
|   | Follow your spirit, and upon this charge |  70 | 
|   | Cry 'God for Harry, England, and Saint George!' |   | 
|   | Exeunt. Alarum, and chambers go off. |   |