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No longer mourn for me when I am dead You can mourn for me when I am dead, but no longer
Then you shall hear the surly sullen bell Than when you hear the solemn-sounding bell
Give warning to the world that I am fled Announce to the world that I have gone
From this vile world, with vilest worms to dwell: From this vile world, to live with the worms (in the grave):
Nay, if you read this line, remember not If you read this line, do not remember
The hand that writ it; for I love you so The hand that wrote it; for I love you so much
That I in your sweet thoughts would be forgot That I would rather you forget me completely
If thinking on me then should make you woe. If thinking about me when I am gone would make you upset.
O, if, I say, you look upon this verse O, if you look upon this sonnet
When I perhaps compounded am with clay, When my body has become mixed with the dust and dirt,
Do not so much as my poor name rehearse. Do not even mention my insignificant name.
But let your love even with my life decay, But let your love decay in the same way that my life rots away,
Lest the wise world should look into your moan So that the malicious people in world do not pry into your grief
And mock you with me after I am gone. And use your relationship with me to mock you after I am dead.


hear the surly sullen bell (2): At funerals during the Renaissance, one could pay to have the "passing-bell" rung as many times as the years the deceased was alive, as a tribute to his or her life. See Macbeth and the "fatal bellman" (2.2.5-6) for more on London's bellmen.


Sonnets 71-74 are usually grouped together and are linked by the poet's thoughts on his own mortality. In the relationship with his dear friend, the poet is the older man, and, believing he will die before his young man, he creates this verse, in part, to help console his friend. It becomes clear as we read the many sonnets focused on the ravages of time that Shakespeare was consumed by a profound melancholia brought about by persistent pondering on loss and death. In other sonnets, the poet finds solace in his dear friend, who is presented as his redeemer, both spiritually and emotionally. But even his lover cannot release him from the sadness that comes with knowing he will die, and "with vilest worms to dwell." The hopelessness expressed in this sonnet seems to indicate that the poet's faith, at least at the time of writing this particular poem, was deeply lacking. Moreover, the last two lines reveal the poet's intense insecurity and anxiety over his relationship with the idealized young man, as he fears that their friends will mock the lover's regard for him, illustrating the lover's lack of good taste and judgment.

With Sonnet 71 we can see the tremendous influence Shakespeare had on the great romantic poets like Keats and Shelley. Keats was known to work next to the bust of Shakespeare at all times, and we can imagine he had worn thin his copy of this sonnet. In terms of the form, the three quatrains of this sonnet are of a parallel structure, serving to persuade the young man to forget the poet, and, in the final couplet, the reason for the request is revealed. And, to find out more about the man who many scholars believe to be the object of Shakespeare's devotion, the Earl of Southampton, click here.

How to cite this article:
Shakespeare, William. Sonnet 71. Ed. Amanda Mabillard. Shakespeare Online. 8 Dec. 2012. < >.

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Points to Ponder ... "In the Sonnets we may read of the poet's intense hopes and fears regarding his fate, and we learn of his all-consuming desire for immortality. Begin as he may with his theme, he almost invariably merges into allegory, and represents himself as the contestant of death. Bodily death he does not fear: oblivion he dreads. He therefore argues incessantly on the course he shall pursue to defy the ravages of time and prevent the loss of reputation. He may have the applause of the day (on the stage); or he may command lasting renown (by his pen). His "fair friend," his "better angel," bids him to seek immortality; his "dark" mistress, the alluring woman with the "mourning eyes," tempts him to delights of the present. The two series of poems are almost wholly allegorical and antithetical." John Cuming Walters. (The Mystery of Shakespeare's Sonnets)


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