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Hamlet Study Guide

Please see the main page for complete explanatory notes for each scene of Hamlet.
 Philological Examination Questions on Hamlet
 Quotations from Hamlet (with commentary)
 Hamlet Study Quiz (with detailed answers)
 Hamlet: Q & A

 Revenge in Hamlet
 Deception in Hamlet
 The Hamlet and Ophelia Subplot
 The Norway (Fortinbras) Subplot

 Hamlet: Problem Play and Revenge Tragedy
 The Elder Hamlet: The Kingship of Hamlet's Father
 Hamlet's Relationship with the Ghost
 The Significance of the Ghost in Armor

 The Significance of Ophelia's Flowers
 Ophelia and Laertes
 Mistrusted Love: Ophelia and Polonius
 Ophelia's Burial and Christian Rituals
 The Baker's Daughter: Ophelia's Nursery Rhymes

 Hamlet as National Hero
 Claudius and the Condition of Denmark
 In Secret Conference: The Meeting Between Claudius and Laertes
 The Charges Against King Claudius
 The Death of Polonius and its Impact on Hamlet's Character

 Blank Verse and Diction in Shakespeare's Hamlet
 Hamlet's Silence
 Analysis of the Characters in Hamlet
 An Excuse for Doing Nothing: Hamlet's Delay
 Shakespeare's Fools: The Grave-Diggers in Hamlet

 Hamlet's Humor: The Wit of Shakespeare's Prince of Denmark
 All About Yorick
 Hamlet's Melancholy: The Transformation of the Prince
 Hamlet's Antic Disposition: Is Hamlet's Madness Real?
 Foul Deeds Will Rise: Hamlet and Divine Justice

 Soliloquy Analysis: O this too too... (1.2.131)
 
Soliloquy Analysis: O, what a rogue and peasant slave am I!... (2.2.555-612)
 
Soliloquy Analysis: To be, or not to be... (3.1.64-98)
 
Soliloquy Analysis: Tis now the very witching time of night... (3.2.380-91)
 
Soliloquy Analysis: Now might I do it pat... (3.3.77-100)
 
Soliloquy Analysis: How all occasions do inform against me... (4.4.35-69)

 
What is Tragic Irony?
 Seneca's Tragedies and the Elizabethan Drama
 Characteristics of Elizabethan Drama
 Divine Providence in Hamlet
 Shakespeare's Sources for Hamlet

In the Spotlight

Quote in Context

O, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? and all for nothing!
For Hecuba!
                                                           Hamlet (2.2), Hamlet

In addition to revealing Hamlet's plot to catch the king in his guilt, Hamlet's second soliloquy uncovers the very essence of Hamlet's true conflict. For he is undeniably committed to seeking revenge for his father, yet he cannot act on behalf of his father due to his revulsion toward extracting that cold and calculating revenge. Read on...

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Hamlet History

Richard BurbageKing Claudius. Our son shall win.
Queen Gertrude. He's fat, and scant of breath.
                                                     Hamlet (5.2)

Gertrude's startling description of her son is not quite what we modern readers have in mind when envisioning the brooding young Prince Hamlet. But how can we explain the Queen's frank words? There is evidence to believe that Shakespeare had to work around the rotund stature of his good friend Richard Burbage, the first actor to play Hamlet. "As he was a portly man of large physique, it was natural that the strenuous exertion bring out the fact that he was fat or out of training, as well as scant of breath....He was the first and the last fat Hamlet" (Blackmore, Riddles of Hamlet). An elegy written upon Burbage's death in 1619 convincingly ties "King Dick", as he was affectionately called by his fellow actors, to the line in question:
No more young Hamlet, though but scant of breath, Shall cry Revenge! for his dear father's death.
                                            (A Funeral Elegy)
It is natural to wonder why the death of Burbage was a national tragedy, while the passing of Shakespeare himself just three years earlier received such little attention. There seems, however, to be a simple answer. Read on...
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