Cymbeline
Please see the bottom of the page for explanatory notes.
ACT I SCENE III | A room in Cymbeline's palace. | |
| Enter IMOGEN and PISANIO. | |
IMOGEN | I would thou grew'st unto the shores o' the haven, | |
| And question'dst every sail: if he should write | |
| And not have it, 'twere a paper lost, | |
| As offer'd mercy is. What was the last |
| That he spake to thee? | |
PISANIO | It was, "His queen, his queen!" | |
IMOGEN | Then waved his handkerchief? | |
PISANIO | And kiss'd it, madam.
| |
IMOGEN | Senseless Linen! happier therein than I! |
| And that was all? | |
PISANIO | No, madam; for so long | |
| As he could make me with this eye or ear | |
| Distinguish him from others, he did keep | 10 |
| The deck, with glove, or hat, or handkerchief, |
| Still waving, as the fits and stirs of's mind | |
| Could best express how slow his soul sail'd on, | |
| How swift his ship. | |
IMOGEN | Thou shouldst have made him | |
| As little as a crow, or less, ere left |
| To after-eye him. | |
PISANIO | Madam, so I did. | |
IMOGEN | I would have broke mine eye-strings; crack'd them, but | |
| To look upon him, till the diminution | |
| Of space had pointed him sharp as my needle, |
| Nay, follow'd him, till he had melted from | 20 |
| The smallness of a gnat to air, and then | |
| Have turn'd mine eye and wept. But, good Pisanio, | |
| When shall we hear from him? | |
PISANIO | Be assured, madam, | 30 |
| With his next vantage. | |
IMOGEN | I did not take my leave of him, but had | |
| Most pretty things to say: ere I could tell him | |
| How I would think on him at certain hours | |
| Such thoughts and such, or I could make him swear |
| The shes of Italy should not betray | |
| Mine interest and his honour, or have charged him, | 30 |
| At the sixth hour of morn, at noon, at midnight, | |
| To encounter me with orisons, for then | |
| I am in heaven for him; or ere I could |
| Give him that parting kiss which I had set | |
| Betwixt two charming words, comes in my father | |
| And like the tyrannous breathing of the north | |
| Shakes all our buds from growing. | |
| Enter a Lady. | |
Lady | The queen, madam, |
| Desires your highness' company. | |
IMOGEN | Those things I bid you do, get them dispatch'd. | |
| I will attend the queen. | |
PISANIO | Madam, I shall. | |
| [ Exeunt. | |
Cymbeline, Act 1, Scene 4
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Explanatory Notes for Act 1, Scene 3
From Cymbeline. A.W. Verity. Cambridge, University Press.
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3, 4. "The loss of that paper would prove as fatal to her, as the loss of a pardon to a condemned criminal" -- Steevens.
9, 10. this; emphasised by the gesture of pointing; the Folios have his, due probably to he (twice) and him, occurring in the two lines.
24. With his next vantage, at the earliest opportunity.
29. shes, women; cf. I. 6. 39, and As You Like It, III. 2. 9, 10:
"Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she."
So he = 'man,' e.g. in Romeo and Juliet, V. 1. 66, 67:
"Such mortal drugs I have; but Mantua's law
Is death to any he that utters them."
32. encounter me, meet me reciprocally.
33. I am in heaven for him; "my solicitations ascend to heaven on his behalf" -- Steevens.
35. charming, which should act like a charm, i.e. in protecting him, e.g. 'fare well!'
How to cite the explanatory notes:
Shakespeare, William. Cymbeline. Ed. A.W. Verity. Cambridge, University Press, 1899. Shakespeare Online. 10 Dec. 2013. < http://www.shakespeare-online.com/plays/cymbel_1_3.html >.
How to cite the sidebar:
Mabillard, Amanda. Notes on Shakespeare. Shakespeare Online. 10 Dec. 2013. < http://www.shakespeare-online.com/plays/cymbel_1_3.html >.
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Introduction to Imogen
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Shakespeare probably began his education at the age of six or seven at the Stratford grammar school, which is still standing only a short distance from his house on Henley Street. Although we have no record of Shakespeare attending the school, due to the official position held by John Shakespeare it seems likely that he would have decided to educate young William at the school which was under the care of Stratford's governing body. Read on...
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Shakespeare was familiar with seven foreign languages and often quoted them directly in his plays. His vocabulary was the largest of any writer, at over twenty-four thousand words. Read on...
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Known to the Elizabethans as ague, Malaria was a common malady spread by the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was always at risk. King James I had it; so too did Shakespeareï¿&fraq12;s friend, Michael Drayton. Read on...
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