Macbeth Glossary
First Witch. When shall we three meet again
In thunder, lightning, or in rain? (1-2)
Here the Witches are not asking about the type of weather in which they should next meet, but when they should next meet.
Interestingly, these lines follow the punctuation set by an early editor of the play. In Shakespeare's First Folio (1623), we have instead:
When shall we three meet again?
In Thunder, Lightning, or in Rain?
Allan Park Paton, in The tragedy of Macbeth: according to the first folio explains:
These lines are thus printed in the Folio of 1623, with a mark of interrogation after each, and, having the author's blotless manuscript before them, we cannot think it possible that Heminge and Condell could have allowed a mistake to occur in the printing of the very first line of the work, and must, therefore, believe that it is the
Poet's mark of interrogation, religiously retained through the three succeeding Folios, which stands there. Yet Sir Thomas Hanmer removed it, as if it were a slip on the part of the printer, and in all the modern editions that we are acquainted with, the lines run:
When shall we three meet again
In thunder, lightning, or in rain?
which is a different thing. It seems to us that Shakespeare could not manage without the two marks of interrogation, odd as they look: that he found it necessary so to arrange the lines, to tell his meaning, which was: "All our meetings are in thunder, lightning, or in rain, when shall our next be?" not, "We meet sometimes under
other elemental circumstances, but when shall we meet again in thunder, lightning, or in rain?" and this opportunity may be taken to note the importance of remembering, as we study the 1623 Folio, that, though occasionally confused through obvious misprinting, we have before us there, Shakespeare's pointing, as well as his words.
Back to Macbeth (1.1)
How to cite this article:
Mabillard, Amanda. Macbeth Glossary. Shakespeare Online. 20 Oct. 2013. < http://www.shakespeare-online.com/plays/macbeth/macbethglossary/macbeth1_1/macbethglos_thunderrain.html >.
Further Reading
Shakespeare, William. The tragedy of Macbeth: according to the first folio (spelling modernised). Ed. Allan Park Paton. Edinburgh: Edmonston & Co., 1877.
______________
Research Your Topic
Explanatory Notes for Lady Macbeth's Soliloquy (1.5)
The Psychoanalysis of Lady Macbeth (Sleepwalking Scene)
Is Lady Macbeth's Swoon Real?
Explanatory Notes for the Witches' Chants (4.1)
Macbeth Plot Summary (Acts 1 and 2)
Macbeth Plot Summary (Acts 3, 4 and 5)
How to Stage a Production of Macbeth (Scene Suggestions)
A Comparison of Macbeth and Hamlet
The Effect of Lady Macbeth's Death on Macbeth
The Curse of Macbeth
On the Knocking at the Gate in Macbeth
Macbeth Q & A
Essay Topics on Macbeth
Aesthetic Examination Questions on Macbeth
What is Tragic Irony?
Stages of Plot Development in Macbeth
Time Analysis of the Action in Macbeth
Macbeth Study Quiz (with detailed answers)
Quotations from Macbeth (Full)
Top 10 Quotations from Macbeth
Shakespeare's Workmanship: Crafting a Sympathetic Macbeth
Origin of the Weird Sisters
Temptation, Sin, Retribution: Lecture Notes on Macbeth
Alchemy and Astrology in Shakespeare's Day
Characteristics of Elizabethan Tragedy
Why Shakespeare is so Important
Shakespeare's Language
Shakespeare's Influence on Other Writers
Daily Life in Shakespeare's London
Life in Stratford (structures and guilds)
Life in Stratford (trades, laws, furniture, hygiene)
Stratford School Days: What Did Shakespeare Read?
Games in Shakespeare's England [A-L]
Games in Shakespeare's England [M-Z]
An Elizabethan Christmas
Clothing in Elizabethan England
Queen Elizabeth: Shakespeare's Patron
King James I of England: Shakespeare's Patron
The Earl of Southampton: Shakespeare's Patron
Going to a Play in Elizabethan London
Ben Jonson and the Decline of the Drama
Publishing in Elizabethan England
Shakespeare's Audience
Religion in Shakespeare's England
Entertainment in Elizabethan England
London's First Public Playhouse
Shakespeare Hits the Big Time
|
More to Explore
Macbeth: The Complete Play with Critical Notes
The Theme of Macbeth
The Metre of Macbeth: Blank Verse and Rhymed Lines
Macbeth Character Introduction
Metaphors in Macbeth (Biblical)
Figures of Speech in Macbeth
The Three Apparitions in Macbeth
Supernatural Solicitings in Shakespeare
Shakespeare on Omens
Macbeth, Duncan and Shakespeare's Changes
Contemporary References to King James I in Macbeth
The Royal Patent that Changed Shakespeare's Life
Soliloquy Analysis: If it were done when 'tis done (1.7.1-29)
Soliloquy Analysis: Is this a dagger (2.1.33-61)
Soliloquy Analysis: To be thus is nothing (3.1.47-71)
Soliloquy Analysis: She should have died hereafter (5.5.17-28)
|